Fréquences

2019

LEDs, electronics, computer

60 minutes

Béatrice Lartigue, Lab212

‘The visible is only a vibrating membrane of the invisible.’ The Visible and the Invisible, Maurice Merleau-Ponty, 1964

Fréquences evokes encounters and repetitions in an indeterminate time or space.

The work questions the notion of randomness in a pre-written score, but in its unfolding, it is redefined each time.

On the scale of the city and the building, Frequencies materialises the passing of time and our relationship to the verticality of the urban landscape.

Crédit Agricole, Toulouse, FRA

ABC Architectes, PPA Architectures, Scalène Architectes

Barbanel

TPFI, SPIE

LSE